| Judul | Erasure in Late Antiquity : Political Practices and Poetics at the Borderlands of Performance / Diana Damian Martin |
| Pengarang | Martin, Diana Damian |
| Penerbitan | London : Bloomsbury Publishing (UK), 2026 |
| Deskripsi Fisik | 216 hlm. :ill. |
| ISBN | 9781350178601, 9781350178618 |
| Subjek | Performing arts--Philosophy |
| Catatan | Published Open Access, Nonconforming Criticism examines forms of thinking at the borderlands of performance that defy, dispute and resist the category of criticism. Against the backdrop of forms of governance and regulation of thought under late liberalism, this book looks to those who refuse to reproduce colonial logics in criticism by investing in unruly experiments in thinking from, and through, performance. Focusing on the period between the early noughties and early twenty-twenties, the book analyses critical practices such as live writing, artist-led publications, zines, gatherings and experiments with video, sound and publishing from cultural workers and thinkers migrating across borders, knowledges and contexts. These practices are often peripheralized from established forms of criticism, yet they shape criticality as a form of political imagination. Unpacking the logics that shape professionalised criticism, and in dialogue with decolonial, abolitionist and feminist theorisations of politics and know |
| Bentuk Karya | Tidak ada kode yang sesuai |
| Target Pembaca | Tidak ada kode yang sesuai |
| Lokasi Akses Online |
https://directory.doabooks.org/handle/20.500.12854/183517 |
| No Barcode | No. Panggil | Akses | Lokasi | Ketersediaan |
|---|---|---|---|---|
| 416026192 | 792.01 Mar e | Baca Online | Perpustakaan Pusat - Online Resources Ebook |
Tersedia |
| Tag | Ind1 | Ind2 | Isi |
| 001 | INLIS000000000171695 | ||
| 005 | 20261102100716 | ||
| 007 | ta | ||
| 008 | 261102################|##########|#|## | ||
| 020 | # | # | $a 9781350178601, 9781350178618 |
| 035 | # | # | $a 0010-1126000025 |
| 082 | # | # | $a 792.01 |
| 084 | # | # | $a 792.01 Mar e |
| 100 | 0 | # | $a Martin, Diana Damian |
| 245 | 1 | # | $a Erasure in Late Antiquity : $b Political Practices and Poetics at the Borderlands of Performance /$c Diana Damian Martin |
| 260 | # | # | $a London :$b Bloomsbury Publishing (UK),$c 2026 |
| 300 | # | # | $a 216 hlm. : $b ill. |
| 505 | # | # | $a Published Open Access, Nonconforming Criticism examines forms of thinking at the borderlands of performance that defy, dispute and resist the category of criticism. Against the backdrop of forms of governance and regulation of thought under late liberalism, this book looks to those who refuse to reproduce colonial logics in criticism by investing in unruly experiments in thinking from, and through, performance. Focusing on the period between the early noughties and early twenty-twenties, the book analyses critical practices such as live writing, artist-led publications, zines, gatherings and experiments with video, sound and publishing from cultural workers and thinkers migrating across borders, knowledges and contexts. These practices are often peripheralized from established forms of criticism, yet they shape criticality as a form of political imagination. Unpacking the logics that shape professionalised criticism, and in dialogue with decolonial, abolitionist and feminist theorisations of politics and knowledge, the book focuses on nonconforming criticism as a practice of unlearning. Structured into three parts, the book constitutes a partial lexicon of Borders, Experiments and Practices. |
| 650 | # | # | $a Performing arts--Philosophy |
| 856 | # | # | $a https://directory.doabooks.org/handle/20.500.12854/183517 |
| 990 | # | # | $a 416026192 |
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