| Judul | Reportage in the Chinese-Speaking World |
| Pengarang | Laughlin, Charles A. (editor) Guo, Li (editor) |
| Penerbitan | Michigan State University Press, 2026 |
| Deskripsi Fisik | 306 hlm. :ill |
| ISBN | 9780472905492 |
| Subjek | Reportage literature, Chinese—History and criticism |
| Catatan | Reportage in the Chinese-Speaking World examines reportage as an important aesthetic form of cultural production in the Sinophone world. Originating as a proletarian nonfiction form in interwar Europe, reportage spread around the world, coming into its own in the Sinophone world from the 1930s to today. Going beyond fact-based journalism, reportage is pursued through a variety of artistic forms and media, from nonfiction writing to photography to documentary film. Reportage’s plurimedial representations facilitate and amplify intersectional struggles against multiple forms of social and political oppression. Engaging its audiences in affective ethico-political exchanges with (human or nonhuman) subjects, reportage promotes audiences’ empathetic responses to the democratic appeals of marginalized groups whose status, identity, or situation manifest emergent ethical challenges in the society of their time. |
| Bentuk Karya | Tidak ada kode yang sesuai |
| Target Pembaca | Tidak ada kode yang sesuai |
| Lokasi Akses Online |
https://directory.doabooks.org/handle/20.500.12854/173746 |
| No Barcode | No. Panggil | Akses | Lokasi | Ketersediaan |
|---|---|---|---|---|
| 231026192 | 070.4 Rep r | Baca Online | Perpustakaan Pusat - Online Resources ** Tidak Diketahui *** |
Tersedia |
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| 005 | 20260330102533 | ||
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| 100 | 0 | # | $a Laughlin, Charles A. (editor) |
| 245 | 1 | # | $a Reportage in the Chinese-Speaking World |
| 260 | # | # | :$b Michigan State University Press,$c 2026 |
| 300 | # | # | $a 306 hlm. : $b ill |
| 505 | # | # | $a Reportage in the Chinese-Speaking World examines reportage as an important aesthetic form of cultural production in the Sinophone world. Originating as a proletarian nonfiction form in interwar Europe, reportage spread around the world, coming into its own in the Sinophone world from the 1930s to today. Going beyond fact-based journalism, reportage is pursued through a variety of artistic forms and media, from nonfiction writing to photography to documentary film. Reportage’s plurimedial representations facilitate and amplify intersectional struggles against multiple forms of social and political oppression. Engaging its audiences in affective ethico-political exchanges with (human or nonhuman) subjects, reportage promotes audiences’ empathetic responses to the democratic appeals of marginalized groups whose status, identity, or situation manifest emergent ethical challenges in the society of their time. |
| 650 | # | # | $a Reportage literature, Chinese—History and criticism |
| 700 | 0 | # | $a Guo, Li (editor) |
| 856 | # | # | $a https://directory.doabooks.org/handle/20.500.12854/173746 |
| 990 | # | # | $a 231026192 |
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