| Judul | Audio Signal Processing / Vesa Välimäki (Editor) |
| Pengarang | Vesa Välimäki (Editor) |
| Penerbitan | Basel : MDPI - Multidisciplinary Digital Publishing Institute, 2016 |
| Deskripsi Fisik | 448p. :ill |
| ISBN | 978-3-03842-351-5 |
| Subjek | AUDIO SIGNAL PROCESSING DIGITAL AUDIO SIGNAL PROCESSING—DIGITAL TECHNIQUES |
| Catatan | Time-scale modification (TSM) is the task of speeding up or slowing down an audio signal’s playback speed without changing its pitch. In digital music production, TSM has become an indispensable tool, which is nowadays integrated in a wide range of music production software. Music signals are diverse—they comprise harmonic, percussive, and transient components, among others. Because of this wide range of acoustic and musical characteristics, there is no single TSM method that can cope with all kinds of audio signals equally well. Our main objective is to foster a better understanding of the capabilities and limitations of TSM procedures. To this end, we review fundamental TSM methods, discuss typical challenges, and indicate potential solutions that combine different strategies. In particular, we discuss a fusion approach that involves recent techniques for harmonic-percussive separation along with time-domain and frequency-domain TSM procedures. |
| Bentuk Karya | Tidak ada kode yang sesuai |
| Target Pembaca | Tidak ada kode yang sesuai |
| Lokasi Akses Online |
https://oer.unair.ac.id/files/original/7643309878eb06653b0abc1480ff08ef.pdf |
| No Barcode | No. Panggil | Akses | Lokasi | Ketersediaan |
|---|---|---|---|---|
| 039625192 | 621.389 3 Aud | Baca Online | Perpustakaan Pusat - Online Resources Ebook |
Tersedia |
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| 001 | INLIS000000000164862 | ||
| 005 | 20251013094918 | ||
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| 245 | # | # | $a Audio Signal Processing /$c Vesa Välimäki (Editor) |
| 260 | # | # | $a Basel :$b MDPI - Multidisciplinary Digital Publishing Institute,$c 2016 |
| 300 | # | # | $a 448p. : $b ill |
| 505 | # | # | $a Time-scale modification (TSM) is the task of speeding up or slowing down an audio signal’s playback speed without changing its pitch. In digital music production, TSM has become an indispensable tool, which is nowadays integrated in a wide range of music production software. Music signals are diverse—they comprise harmonic, percussive, and transient components, among others. Because of this wide range of acoustic and musical characteristics, there is no single TSM method that can cope with all kinds of audio signals equally well. Our main objective is to foster a better understanding of the capabilities and limitations of TSM procedures. To this end, we review fundamental TSM methods, discuss typical challenges, and indicate potential solutions that combine different strategies. In particular, we discuss a fusion approach that involves recent techniques for harmonic-percussive separation along with time-domain and frequency-domain TSM procedures. |
| 650 | # | # | $a AUDIO SIGNAL PROCESSING |
| 650 | # | # | $a DIGITAL AUDIO |
| 650 | # | # | $a SIGNAL PROCESSING—DIGITAL TECHNIQUES |
| 700 | 0 | # | $a Vesa Välimäki (Editor) |
| 856 | # | # | $a https://oer.unair.ac.id/files/original/7643309878eb06653b0abc1480ff08ef.pdf |
| 990 | # | # | $a 039625192 |
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